“Techno” — the show of the same name at the Swiss National Museum in Zurich, with traveling exhibitions by the Goethe-Institut and publications in German-speaking countries is currently honoring a once-subcultural movement that became a mass phenomenon in the 1990s with the Berlin Love Parade and continues to live on in Zurich's Street Parade today. Did techno offer (or offer) the Dionysian cultural experience that Nietzsche celebrated in his writings? Would Nietzsche have been a raver?

The Inn River rises at an altitude of just under 2,500 m in southeastern Switzerland, in the canton of Graubünden. Over a distance of 80 km, it first flows through a high-mountain valley called the Engadin. Here, not far from the sophisticated spa town of St. Moritz, it crosses two small lakes, Lake Sils and Lake Silvaplana, between which lies the idyllic mountain village of Sils Maria. The philosopher Friedrich Nietzsche spent several summers in this exquisite landscape and was inspired by it to write some of his most important works. Christian Saehrendt set out to search for clues at what is perhaps the most important “pilgrimage site” on the Nietzsche scene.

Since 1994, the house in Naumburg where Nietzsche lived with his mother for several years after his mental collapse in 1889 has had a museum dedicated to life and work. On the occasion of the thirtieth anniversary of its existence, the permanent exhibition of the Nietzsche House was completely redesigned, curated by Berlin philosopher Daniel Tyradellis. Our regular author Lukas Meisner was there and took a look at them.