Time and again, our blog is dedicated to overlooked figures from the Nietzscheverse. The Leipzig Anglist Elmar Schenkel went deep into the archives for us in order to introduce you to an almost unknown figure of French-language Nietzsche reception: the “taxi philosopher” Jean-Baptiste Botul, who lived from 1896 to 1947 and not only came into contact with numerous prominent figures of his time on his trips through Paris, but developed also, in conversations with them, his very own Nietzsche interpretation, which, due to its subversive explosive power, has been stored in the poison cabinet by the mainstream of Nietzsche research to the present day. If Nietzsche was, in his own words, “dynamite,” then Botul is a rocket of the Force de frappe, still awaiting detonation — a stroke of luck?

Werner Herzog (born 1942), described as a “mythomaniac” by Linus Wörffel, and Klaus Kinski (1926—1991) are among the leading figures of post-war German cinema. In the 70s and 80s, the filmmaker and the actor shot five feature films that are among the classics of the medium's history. They are hymns to tragic heroism, in which the spirit of Nietzsche can easily be recognized. From “Build Your Cities on Vesuvius! “will “Build opera houses in the rainforest! ”.

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Our regular author Christian Saehrendt reports in his contribution to the series “What does Nietzsche mean to me? “about how he discovered Nietzsche as a teenager and has regarded himself as a fan of the philosopher ever since — precisely because of his contrariness.

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