}

#

Gustav Mahler

Homesick for the Stars

Prolegomena of a Critique of Extraterrestrial Reason

Homesick for the Stars

Prolegomena of a Critique of Extraterrestrial Reason

12.4.25
Michael Meyer-Albert

On April 12, 1961, Soviet cosmonaut Yuri Gagarin achieved the unbelievable: He was the first person in history to leave the protective atmosphere of our home planet and circumnavigate the Earth in the Vostok 1 spaceship. In 2011, the anniversary of this “superhuman” act was declared International Manned Space Day. The stars aren't that far away anymore. With the technical progress achieved, the fantasy of expanding human civilization into space takes on concrete plausibility. The following text attempts to philosophically rhyme with these prospects and finally describes the approach of a possible space program from Nietzsche. Although airplanes didn't even exist during his lifetime, his concepts can still be applied to this topic in a productive way, as is so often the case.

Editorial note: We have explained some difficult technical terms in the footnotes.

On April 12, 1961, Soviet cosmonaut Yuri Gagarin achieved the unbelievable: He was the first person in history to leave the protective atmosphere of our home planet and circumnavigate the Earth in the Vostok 1 spaceship. In 2011, the anniversary of this “superhuman” act was declared International Manned Space Day. The stars aren't that far away anymore. With the technical progress achieved, the fantasy of expanding human civilization into space takes on concrete plausibility. The following text attempts to philosophically rhyme with these prospects and finally describes the approach of a possible space program from Nietzsche. Although airplanes didn't even exist during his lifetime, his concepts can still be applied to this topic in a productive way, as is so often the case. Editorial note: We have explained some difficult technical terms in the footnotes.

“Music, your advocate”

Nietzsche and the Liberating Power of Melody

“Music, your advocate”

Nietzsche and the Liberating Power of Melody

16.3.25
Paul Stephan

After Christian Saehrendt took a primarily biographical look at Nietzsche's relationship to music on this blog in June last year (link), Paul Stephan focuses in this article on Nietzsche's content statements about music and comes to a somewhat different conclusion: For Nietzsche, music has a liberating power through its subjectivating power. It affirms our sense of self and inspires us to resist repressive norms and morals. However, not all music can do that. With late Nietzsche, this is no longer Richard Wagner's opera, but Georges Bizet's opera carmen. Our author recognizes a similar attitude in Sartre's novel The disgust and in black popular music, which is not about comfort or grief, but affirmation and overcoming.

After Christian Saehrendt took a primarily biographical look at Nietzsche's relationship to music on this blog in June last year (link), Paul Stephan focuses in this article on Nietzsche's content statements about music and comes to a somewhat different conclusion: For Nietzsche, music has a liberating power through its subjectizing power. It affirms our sense of self and inspires us to resist repressive norms and morals. However, not all music can do that. In late Nietzsche, this is no longer Richard Wagner's opera, but Georges Bizet's opera Carmen. Our author recognizes a similar attitude in Sartre's novel Disgust and in black popular music, which is not about comfort or grief, but affirmation and overcoming.

Nietzsche and Music

Nietzsche and Music

9.6.24
Christian Saehrendt

For hardly any other philosopher, music was as important as it was for Nietzsche. “Without music, life would be a mistake”1, he wrote. Christian Saehrendt goes for Nietzsche PopArts The question of how this high appreciation of sound art was manifested in his life and work. He talks about Nietzsche's own compositions as well as one of the most iconic aspects of his life: his friendship with Richard Wagner. He shows that the music for Nietzsche is almost erotic It was important — and in this respect he was not so “out of date” at all, but a typical child of his time.

For hardly any other philosopher, music was as important as it was for Nietzsche. “Without music, life would be a mistake,” he wrote. For Nietzsche PopArts, Christian Saehrendt explores the question of how this high appreciation of sound art was manifested in his life and work. He talks about Nietzsche's own compositions as well as one of the most iconic aspects of his life: his friendship with Richard Wagner. He shows that the music had an almost erotic meaning for Nietzsche — and that he was not so “out of date” in this regard, but a typical child of his time.

The Enduringly Contested Friedrich Nietzsche

Report on the Annual Meeting of the Nietzsche Society 2023

The Enduringly Contested Friedrich Nietzsche

Report on the Annual Meeting of the Nietzsche Society 2023

11.3.24
Paul Stephan

From October 12 to 15, the annual meeting of the Friedrich-Nietzsche Society took place in Naumburg. Numerous experts from all over the world came together to explore the various causes of Nietzsche's impact in the first decades following his mental collapse. The spiritual struggles over Nietzsche repeatedly referred to the real struggles of the past — and those of our present.

From October 12 to 15, the annual meeting of the Friedrich-Nietzsche Society took place in Naumburg. Numerous experts from all over the world came together to explore the various causes of Nietzsche's impact in the first decades following his mental collapse. The spiritual struggles over Nietzsche repeatedly referred to the real struggles of the past — and those of our present.