This essay opposes the emptiness of a world that has lost its meaning in favor of function. With Nietzsche, Camus and the shadow of Sisyphos behind me, I search for the wild, for the dreamy, for those who do not submit and refuse to remain silent. I'm writing about modern barbarians: about people who see nothing and yet continue to breathe, keep screaming, keep dreaming. This text is my hymn to defiance, to the unformed, to the courage not to fear senselessness. Because even without meaning, I won't be silent. Not now, not in this world. And there is no other.

The essay was written as an answer to the price question of this year's Kingfisher Prize (link). We did not award him, but still publish it as an important contribution to the topic of the “new barbarians” due to its extraordinary literary quality. If you'd rather listen to it, you'll also find it read by Caroline Will on the Halcyonic Association for Radical Philosophy's YouTube channel (link) or on Soundcloud (link).

Paul Stephan talked to Jenny Kellner and Hans-Martin Schönherr-Mann about the interpretation of one of the most important Nietzsche interpreters of the 20th century: Georges Bataille (1897—1962). The French writer, sociologist and philosopher defended the ambiguity of Nietzsche's philosophy against its National Socialist appropriation and thus became a central source of postmodernism. Based on Dionysian mythology, he wanted to develop a new concept of sovereignty that transcends the traditional understanding of responsible subjectivity, and criticized modern capitalist rationality in the name of an “economy of waste.” With all this, he provides important impulses for a better understanding of our present tense.