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Thomas Hobbes
“How Well Disposed Would You Have to Become to Yourself and to Life”
Prolegomena to Any Future Philosophy That Will Be Able to Present Itself as an Enlightenment — Part II
“How Well Disposed Would You Have to Become to Yourself and to Life”
Prolegomena to Any Future Philosophy That Will Be Able to Present Itself as an Enlightenment — Part I
After our author, in the first part of this article, described the current political-cultural situation with reference to Fukuyama as an outgrowth of deep-seated boredom, which numbs itself in excesses of anger and indignation, he tries in the following second to suggest a possible turn for this zeitgeist, which could manifest itself in a new Enlightenment verve and a new positive self-image of the Enlightenment. Our author, with Nietzsche, opposes the “four despairs” that afflict the present tense, “four transfigurations” and “fields of research” resulting from them. An ironic view of the world and oneself should help to practice a transfigurative perspective on the world, which would be able to overcome the lethargy of postmodernism and revitalize the modernist project. The program of self-reliant future Enlightenment.
“How Well Disposed Would You Have to Become to Yourself and to Life”
Prolegomena to Any Future Philosophy That Will Be Able to Present Itself as an Enlightenment — Part I
"How Well Disposed Would You Have to Become to Yourself and to Life"
Prolegomena to any future philosophy that may arise as an Enlightenment — Part I
The following text explores the hypothesis that every philosophy of the zeitgeist finds its onset at something that bothers it: in the beginning, there was disgruntlement. This something is interpreted here as an illiberally disgruntled enlightenment, which is embodied in the current “polarization.” With Francis Fukuyama's help, this trail is explored and the drama of the recognition of modern Enlightenment is described.
The philosopher Fukuyama, born in Chicago in 1952, is primarily known for his essay The End of History? from 19891. There, he held that the “end of history” assumed by Hegel had finally arrived with the looming collapse of the Soviet Union. He saw the triumphant liberal Western democracies as the final stage of the process of historical progress. In 1992, Fukuyama published his main work based on this essay: The End of History and the Last Man, in which he combines Hegel's thesis with Nietzsche's diagnosis of the “last man.” Our author is also referring to this book. It caused controversial debates worldwide and continues to provoke today. — Do we really live after the “end of history”? Our author agrees with Fukuyama: While with the form of liberal democracy a final embodiment of the course of history has been achieved, history has been continuing as a conflict within this embodiment. World history has become history of liberalism.
Whistling in the Woods and Screaming for Love
Nietzsche's Echo in the Heavy Metal Music Scene
Whistling in the Woods and Screaming for Love
Nietzsche's Echo in the Heavy Metal Music Scene
Like hardly any other philosopher, Friedrich Nietzsche has left his mark on popular culture — less in the pleasing mainstream entertainment, but more in subcultures and in artistic positions that are considered “edgy” and “dark.” In this “underworld,” Nietzsche's aphorisms, catchphrases, slogans and invectives are widely used — for example in the musical genres of heavy metal, hardcore and punk focused on social and aesthetic provocation. What is the reason for that?