Individualism, even egoism, is frowned upon in all political, religious and social camps. They are attributed to liberalism and capitalism. Such people are not committed to others, are not involved politically or for the environment. They also do not respect a common understanding of the world and therefore behave irresponsibly. The Nietzschean  is not impressed by such verdicts. She dances — not only!

It is well known that Nietzsche had a hard time with women. His sexual orientation and activity are still riddled with mystery and speculation today. Time and again, this question inspired artists of both genders to create provocatively mocking representations. Can he possibly be described as an “incel”? As an involuntary bachelor, in the spirit of today's debate about the misogynistic “incel movement”? Christian Saehrendt explores this question and tries to shed light on Nietzsche's complicated relationship with the “second sex.”

Werner Herzog (born 1942), described as a “mythomaniac” by Linus Wörffel, and Klaus Kinski (1926—1991) are among the leading figures of post-war German cinema. In the 70s and 80s, the filmmaker and the actor shot five feature films that are among the classics of the medium's history. They are hymns to tragic heroism, in which the spirit of Nietzsche can easily be recognized. From “Build Your Cities on Vesuvius! “will “Build opera houses in the rainforest! ”.

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Taylor Swift is one of the most important “idols” of our time. Reason enough for our regular authors Henry Holland, Paul Stephan and Estella Walter to pick up on the Nietzschean “hammer” and get to grips with the hype a bit: Does Swift deserve the cult around her that goes down to philosophy? Is it grossly overrated? And what explains the discrepancy between appearance and reality, spectacle and life?

You can watch the entire unabridged conversation on the Halcyonic Association for Radical Philosophy YouTube channel (link).

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“Techno” — the show of the same name at the Swiss National Museum in Zurich, with traveling exhibitions by the Goethe-Institut and publications in German-speaking countries is currently honoring a once-subcultural movement that became a mass phenomenon in the 1990s with the Berlin Love Parade and continues to live on in Zurich's Street Parade today. Did techno offer (or offer) the Dionysian cultural experience that Nietzsche celebrated in his writings? Would Nietzsche have been a raver?

In addition to hiking, dancing is one of the most prominent soldiers in Nietzsche's “moving [m] army of metaphors, metonymies, anthropomorphisms.” Based on Nietzsche's reflections on the art of movement, Jonas Pohler explores the paramount importance that it plays in our present day. Is the effect of dance primarily sexual? What does dance have to do with technology? What symbolism is the dancing gesture able to convey?

For a total of 20 years, Bangladesh was ruled by an iron, authoritarian regime under Sheikh Hasina, the daughter of the first president since the country's independence from Pakistan, Sheikh Mujibur Rahman. But within a very short period of time, nationwide uprisings of such violence broke out in July 2024 that they overthrew Hasina after just one month and drove him into exile. How did this victory come from below and how does Nietzsche help us The will to power and continue his elaborations by Foucault and Deleuze to understand this historic moment?

“Resentment” is one of the guiding concepts of Nietzsche's philosophy and perhaps even its most effective. In his new book The cold rage. Resentment theory and practice (Marburg 2024, Büchner-Verlag), Jürgen Grosse argues that since the 18th century, more or less all political or social movements have been those of resentment. Our main author Hans-Martin Schönherr-Mann has read it and presents major theses below.

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Kafka and Nietzsche are united by their confrontation with the state and bureaucracy. Deleuze & Guattari, whose works are based on both, develop an apolitical response to the fatal political situation, namely transformations after Kafka, an expansion of themselves to Nietzsche, which can be understood as escape lines from a patronizing society.

It is well known that Nietzsche's history of influence has been read and absorbed across all political camps. But what about our present tense? Paul Stephan examines the writings of two authors who are about the same age as himself, in their mid/late 30s, and whose perspectives on Nietzsche could hardly be more different: While French journalist and YouTuber Julien Rochedy declares Nietzsche a pioneer of a right-wing cultural struggle, the German philosopher and political scientist Karsten Schubert attacks him for a left-wing identity politics. Both positions do not really convince our authors; rather, they are entirely within the framework of the prevailing simulation of politics as a cultural struggle, which would need to be countered by focusing on the really pressing life problems of contemporary humanity.

After two previous contributions to Nietzsche in the Anglosphere For this blog, Henry Holland interviewed American thinker Daniel Tutt about his perspective on Nietzsche as the most important antagonist of the left. The discussion included Huey Newton, leader of the Black Panthers in the 1970s, and what his “parasitic” way of reading Nietzsche prompted him to read. An unedited and unabridged version of this interview, in original English, can be heard and watched on Tutt's YouTube channel (link).

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From October 7 to 11, 2024, the event organized by the Klassik Stiftung Weimar took place in Weimar Nietzsche's futures. Global Conference on the Futures of Nietzsche instead of. Our regular author Paul Stephan was on site on the first day and gives an insight into the current state of academic discussions about Nietzsche. His question: What is the future of Nietzsche academic research when viewed from the perspective of Nietzsche's own radical understanding of the future?

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One of the most important philosophers of our time, Peter Sloterdijk (born 1947), visited Halle at the beginning of July. The thinker, who was heavily influenced by Nietzsche, shared his thoughts about “gray” there and impressively showed the heights to which philosophy can rise.

Like hardly any other philosopher, Friedrich Nietzsche has left his mark on popular culture — less in the pleasing mainstream entertainment, but more in subcultures and in artistic positions that are considered “edgy” and “dark.” In this “underworld,” Nietzsche's aphorisms, catchphrases, slogans and invectives are widely used — for example in the musical genres of heavy metal, hardcore and punk focused on social and aesthetic provocation. What is the reason for that?