Individualism, even egoism, is frowned upon in all political, religious and social camps. They are attributed to liberalism and capitalism. Such people are not committed to others, are not involved politically or for the environment. They also do not respect a common understanding of the world and therefore behave irresponsibly. The Nietzschean  is not impressed by such verdicts. She dances — not only!

Nietzsche was repeatedly elevated to a figurehead by right-wing theorists and politicians. From Mussolini and Hitler to the AfD — Nietzsche is repeatedly seized when it comes to confronting modern society with a radical reactionary alternative. Nietzsche was particularly fascinating to intellectual right-wingers, such as authors like Ernst Jünger, Carl Schmitt and Martin Heidegger, who formed a cultural prelude to the advent of National Socialism in the 1920s, even though they later partially distanced themselves from it. People also often talk about the “Conservative Revolution”¹.

What do these authors draw from Nietzsche and to what extent do they read him one-sidedly and overlook other potentials in his work? Our author Paul Stephan spoke about this with philosopher Robert Hugo Ziegler.

A year ago, our author Paul Stephan conducted a small “dialogue” on the 124th anniversary of Nietzsche's death with ChatGPT to see to what extent the much-hyped program is suitable for discussing complex philosophical questions (link). Paul Stephan now fed it, for the 125th, with some of the same, partly changed questions. Has it improved? Judge for yourself.

What follows, is a very abbreviated excerpt of the conversation. The full commented “dialogue” can be found here [link].

The article image was created by ChatGPT itself when asked to generate a picture of this chat. The other pictures were created again by the software DeepAI based on the prompt: “A picture of Friedrich Nietzsche with a quote by him.”

Read also our author's philosophical commentary on this “talk” (Link).

‍

Note: A lot of the weirdness of this encounter is lost in the subsequent automated translation. Thus, it's also a part of this experiment on the “philosophical capabilities” of AI. Check the original if you want to get everything.

Werner Herzog (born 1942), described as a “mythomaniac” by Linus Wörffel, and Klaus Kinski (1926—1991) are among the leading figures of post-war German cinema. In the 70s and 80s, the filmmaker and the actor shot five feature films that are among the classics of the medium's history. They are hymns to tragic heroism, in which the spirit of Nietzsche can easily be recognized. From “Build Your Cities on Vesuvius! “will “Build opera houses in the rainforest! ”.

‍

Strangers seem creepy to many. They immediately fear that these strangers will harm them. Many decent earners think that recipients of citizen benefits are lazy and therefore do not allow them to receive government support. To many educated people, illiterate people appear rude and simple-minded, with whom they therefore want as little as possible nothing to do with, whom they do not trust. Religious people are often afraid of atheists, who in turn are afraid of contact with religion. What you don't know often appears to be dangerous and you prematurely discount that. Such prejudices lead to rejection, which often solidifies to such an extent that counterarguments are no longer even heard. This is resentment that has existed for a long time, but which today makes consensus almost impossible in many political and social debates. This can degenerate into hate and contempt and then into violence whether between rich and poor, right and left, machos and feminists, abortion opponents and abortion advocates, vegetarians and meat-eaters. When one side prevails, it imposes its values on the other, and the resentment even becomes creative. In any case, it prevents you from making an effort to understand the other person. For Nietzsche, resentment has been driving the dispute over what is morally necessary for a long time.

“Resentment” is one of the key terms of Nietzsche's late work. The philosopher is referring to an internalized and solidified affect of revenge, which leads to the development of an overall negative approach to the world. Especially in On the genealogy of morality Nietzsche is trying to show that the entire European culture since the rise of Christianity has been based on this affect. Judaism and Christianity, in their hatred of aristocrats, propagated an ethics of the weak — in this act, resentment became creative. With a new creative ethic, Nietzsche now wants to contribute to a renewed revaluation of values in order to return to a life-affirming aristocratic ethic of the “strong.” In this article, Hans-Martin Schönherr-Mann introduces Nietzsche's reflections on resentment and works out what makes the accusation of mutual resentment so popular to this day.

Taylor Swift is one of the most important “idols” of our time. Reason enough for our regular authors Henry Holland, Paul Stephan and Estella Walter to pick up on the Nietzschean “hammer” and get to grips with the hype a bit: Does Swift deserve the cult around her that goes down to philosophy? Is it grossly overrated? And what explains the discrepancy between appearance and reality, spectacle and life?

You can watch the entire unabridged conversation on the Halcyonic Association for Radical Philosophy YouTube channel (link).

‍

“Techno” — the show of the same name at the Swiss National Museum in Zurich, with traveling exhibitions by the Goethe-Institut and publications in German-speaking countries is currently honoring a once-subcultural movement that became a mass phenomenon in the 1990s with the Berlin Love Parade and continues to live on in Zurich's Street Parade today. Did techno offer (or offer) the Dionysian cultural experience that Nietzsche celebrated in his writings? Would Nietzsche have been a raver?

Lou Wildemann is a cultural scientist and filmmaker from Leipzig. your current feature film project, MALA, deals with the suicide of a young resident of Nietzsche City. Paul Stephan discussed this provocative project and the topic of suicide in general with her: Why is it still taboo today? Should we talk more about this? What role can Nietzsche's reflections, who repeatedly thought about this topic, play in this? What does suicide mean in an increasingly violent neoliberal society?

Our author Natalie Schulte spent nine months cycling in Southeast Asia and reports on her travel experiences with and without Nietzsche in a short series of essays. This time it's about the vast plain of Cambodia and the temples of Angkor in the middle of the jungle.

(Link to part 1 on Vietnam)

Perhaps it is Nietzsche's main philosophical achievement that he described thinking as a process that happens in person. For him, reflection is a cooperative tension of body and mind. The mind is grounded in the nervous cosmopolitanism of the body. Nietzsche's conversion of Christianity: The flesh becomes word. This shows thinking in gestures. The following is intended to provide a sketch which indicates the main types of these reflexive gestures. This is intended to illustrate what it means when Nietzsche repeatedly describes himself as a wanderer. An intellectual tour that leads from standing and sitting as basic modes of traditional philosophy to walking, (out) wandering and halcyonic flying as Nietzsche's alternative modes of liberated thought and life.

Our author Natalie Schulte spent nine months cycling in Southeast Asia. She traveled 5,500 km through Vietnam, Cambodia, Thailand and Malaysia. In the luggage for motivation and discussion was as usual So Zarathustra spoke. But Nietzsche's thoughts were also frequently present beyond this work. In her short essay series, she talks about her travel experiences with and without Nietzsche.

“Resentment” is one of the guiding concepts of Nietzsche's philosophy and perhaps even its most effective. In his new book The cold rage. Resentment theory and practice (Marburg 2024, Büchner-Verlag), Jürgen Grosse argues that since the 18th century, more or less all political or social movements have been those of resentment. Our main author Hans-Martin Schönherr-Mann has read it and presents major theses below.

‍

“Keep a stiff upper lip,” they say in England when you want to call on your interlocutor to persevere in the face of danger and to maintain an upright posture. Advice that is certainly often helpful. Such a stoic position must be sought all the more as an academic outsider who, on the one hand, sets himself apart from the scientific mainstream, but on the other hand is also dependent on his recognition. Nietzsche himself, but also many of his admirers, found himself in such a delicate situation. Based on several such outsider figures (in addition to Nietzsche himself, such as Julius Langbehn and Paul de Lagarde), Christian Saehrendt develops a typology of the (perhaps not always quite so) “brilliant isolation” of academic nonconformism.

In our last article before the break at the turn of the year, Paul Stephan explores a Close reading A remarkable aphorism of Nietzsche, in which he expresses himself with the famous Christmas blessing “Glory be to God in height and peace on earth and to people! “discusses. As when unwrapping a gift that has been covered several times, he tries to reveal the different layers of meaning in this text in order to make Nietzsche's exact positioning clearly stand out. The reader may decide for himself whether you end up holding a glowing truth in your hand or the box remains empty. In any case, we wish all our readers with Nietzsche: “Peace on earth and good pleasure for each other! ”

It is well known that Nietzsche's history of influence has been read and absorbed across all political camps. But what about our present tense? Paul Stephan examines the writings of two authors who are about the same age as himself, in their mid/late 30s, and whose perspectives on Nietzsche could hardly be more different: While French journalist and YouTuber Julien Rochedy declares Nietzsche a pioneer of a right-wing cultural struggle, the German philosopher and political scientist Karsten Schubert attacks him for a left-wing identity politics. Both positions do not really convince our authors; rather, they are entirely within the framework of the prevailing simulation of politics as a cultural struggle, which would need to be countered by focusing on the really pressing life problems of contemporary humanity.

After two previous contributions to Nietzsche in the Anglosphere For this blog, Henry Holland interviewed American thinker Daniel Tutt about his perspective on Nietzsche as the most important antagonist of the left. The discussion included Huey Newton, leader of the Black Panthers in the 1970s, and what his “parasitic” way of reading Nietzsche prompted him to read. An unedited and unabridged version of this interview, in original English, can be heard and watched on Tutt's YouTube channel (link).

‍

After Natalie Schulte reported on the echo of Nietzsche's “superman” idea in the start-up scene last week (Link), Swiss art scholar Jörg Scheller is dedicating this week to her continued existence in extropianism, a subtype of transhumanism that aims to artificially accelerate human evolution on both individual and genre levels using modern technology. The physical law of “entropy,” according to which there is a tendency in closed systems to equalize all energy differences until a state of equilibrium has been established — a state of complete cooling in terms of the universe — is opposed by the proponents of this flow with the principle of “extropy,” the increasing vitality of a system.

Nietzsche's superman is dead. Hardly anyone can do anything with this obscure idea anymore. You'd think so. And yet, in the current startup environment, you encounter numerous set pieces from Zarathustra's promise. What is it all about? — On the occasion of Nietzsche's 180th birthday, Natalie Schulte dedicates herself to this peculiar continuation of one of the philosopher's best-known concepts. A plea for taking a closer look at Nietzsche's idea despite its past and present misinterpretations.

Editor's note: We have translated longer English quotations into German in the footnotes ourselves.

This time in confidential Du, Paul Stephan talked to Hans-Martin Schönherr-Mann, our oldest parent author, and our youngest regular author, Estella Walter, about our different generational experiences and about what is actually to be thought of the fashionable discourse about the different “generations.” We talked about post-structuralism, the ecological issue and the diversity of possible connections to Nietzsche.

To commemorate the 124th anniversary of Nietzsche’s death, Paul Stephan conversed with a rather particular kind of Nietzsche expert—the now near ubiquitous ChatGPT. Their discussion circled around questions of why Nietzsche matters today and his concept of authenticity. During the course of the conversation, Stephan switched from asking to fielding questions, and elaborated briefly on how his own doctoral dissertation also focuses on authenticity. As Stephan’s experiment aimed at probing deep into the program’s capabilities, and because brevity is not ChatGPT’s strongest asset, we present here an abridged version of the conversation. Readers of German who wish to delve deeper can view the unabridged and annotated PDF that’s available as a download (link). Watch out for Stephan’s critical reflections on this truly remarkable dialogue within the next few days (link).

The pictures accompanying the interview were created with DeepAI software, which was asked to produce “A picture of Friedrich Nietzsche with a quote by him.”

In the following article, Christian Saehrendt gives a brief insight into the work of one of the most controversial but also most influential Nietzsche interpreters of the 20th century: the German philosopher Oswald Spengler (1880—1936). The author of The fall of the West (1917/22) is considered one of the most important representatives of the “Conservative Revolution,” an intellectual movement that was significantly involved in the cultural destabilization of the Weimar Republic before 1933. Largely forgotten in Germany, it continues to be eagerly received in a global context, such as in Russia.

Does Nietzsche have clear philosophical doctrines? There is still a fight with Nietzsche's ambiguity today. When does he mean what he says? In her essay, Natalie Schulte explores the question of where, in the midst of assimilating ambiguity through ideological programs on the one hand and academically savvy dispersal of Nietzsche's thought structures into indiscriminate and incoherent fragments and perspectives, on the other hand, today's engagement with Nietzsche has to locate its decisive challenges. Between the dangers of confusing his philosophy and the limitless relativization of his theses, she is looking for a fruitful third way of dealing with the question of the “actual Nietzsche.”

Like hardly any other philosopher, Friedrich Nietzsche has left his mark on popular culture — less in the pleasing mainstream entertainment, but more in subcultures and in artistic positions that are considered “edgy” and “dark.” In this “underworld,” Nietzsche's aphorisms, catchphrases, slogans and invectives are widely used — for example in the musical genres of heavy metal, hardcore and punk focused on social and aesthetic provocation. What is the reason for that?

In the last part of the series “What does Nietzsche mean to me? “, in which our regular authors briefly presented their respective understanding of Nietzsche in recent weeks, Estella Walter tells of 'her' Nietzsche as a critic of any totality in the name of the nameless reality of becoming.

In the penultimate part of the series “What does Nietzsche mean to me? “Lukas Meisner comes to a surprising result at first glance: Nietzsche and Marx both practice fundamental criticism of capitalism and Nietzsche can serve to Marx's To complement a critique of political economy with a no less radical critique of moral economy.

Paul Stephan talked to Jenny Kellner and Hans-Martin Schönherr-Mann about the interpretation of one of the most important Nietzsche interpreters of the 20th century: Georges Bataille (1897—1962). The French writer, sociologist and philosopher defended the ambiguity of Nietzsche's philosophy against its National Socialist appropriation and thus became a central source of postmodernism. Based on Dionysian mythology, he wanted to develop a new concept of sovereignty that transcends the traditional understanding of responsible subjectivity, and criticized modern capitalist rationality in the name of an “economy of waste.” With all this, he provides important impulses for a better understanding of our present tense.

The late Nietzsche repeatedly imagines himself as a descendant of Polish nobles. It is not just a personal whim, but also says something about Nietzsche's philosophical positioning: For him, Poland is a kind of “anti-nation,” a people of “big individuals” — and last but not least, the Polish noble republic is the political utopia of a radical democratic community, which, precisely in its failure, corresponds to his idea of “aristocratic radicalism.” Paul Stephan goes in this Long Read explores the deeper meaning of this topic in Nietzsche and questions his transfiguration of the old Rzeczpospolita: From a political point of view, this is not as desirable a model as Nietzsche suggests. Jean-Jacques Rousseau continues to lead in this regard Considerations on the Government of Poland from 1772.

Our regular author Christian Saehrendt reports in his contribution to the series “What does Nietzsche mean to me? “about how he discovered Nietzsche as a teenager and has regarded himself as a fan of the philosopher ever since — precisely because of his contrariness.

‍

In his recently published study Theory of Liberation [Theorie der Befreiung]Frankfurt philosopher Christoph Menke describes liberation as “fascination,” as pleasurable desubjectization and dedication. He refers decisively to Nietzsche — but for him, “fascination” means bewitching, entanglement in lack of freedom and resentment. Can the mystical power of fascination really set us free — or is it not rather Nietzsche's right and liberation means above all self-empowerment and autonomy, whereas the fascinated sacrifice means submission, not least to a fascist leader?

As a Marxist, Nietzsche was an early nuisance. But with the Nietzsche Renaissance in the eighties, I couldn't get past him anymore. That's when I discovered Nietzsche as an innovative thinker. - Part II of the series “What does Nietzsche mean to me? “, in which our regular authors introduce themselves.

In the series “What does Nietzsche mean to me? “ over the next few weeks, our regular authors will each present their personal approach to Nietzsche and his thinking. Our senior editor Paul Stephan makes a start and reports on how he discovered Nietzsche as a teenager — and no longer necessarily sees himself as a “Nietzschean.”

From October 12 to 15, the annual meeting of the Friedrich-Nietzsche Society took place in Naumburg. Numerous experts from all over the world came together to explore the various causes of Nietzsche's impact in the first decades following his mental collapse. The spiritual struggles over Nietzsche repeatedly referred to the real struggles of the past — and those of our present.