Nietzsche certainly did not have any children and is also not particularly friendly about the subject of fatherhood in his work. For him, the free spirit is a childless man; raising children is the task of women. At the same time, he repeatedly uses the child as a metaphor for the liberated spirit, as an anticipation of the Übermensch. Is he perhaps able to inspire today's fathers after all? And can you be a father and a Nietzschean at the same time? Henry Holland and Paul Stephan, both fathers, discussed this question.

We also published the complete, unabridged discussion on the Halcyonic Association for Radical Philosophy YouTube channel (Part 1, part 2).

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In today's world, which wants to call itself modern and equal, old patterns continue to have an effect — rivalry instead of solidarity, adaptation instead of departure. The essay provocatively asks: Where are the barbarians of the 21st century? It shows the emergence of a new female force — a woman who does not destroy but refuses, who evades old roles and gains creative power from pain. Through examples from reality and literature, the text attempts to show that true change does not start in obedience but in bold “no” — and that solidarity among women could be the real revolution.

We awarded this text second place in this year's Kingfisher Award for Radical Essay Writing (link).

If you'd rather listen to it, you'll also find it read by Caroline Will on the Halcyonic Association for Radical Philosophy's YouTube channel (link) or on Soundcloud (link).

This essay opposes the emptiness of a world that has lost its meaning in favor of function. With Nietzsche, Camus and the shadow of Sisyphos behind me, I search for the wild, for the dreamy, for those who do not submit and refuse to remain silent. I'm writing about modern barbarians: about people who see nothing and yet continue to breathe, keep screaming, keep dreaming. This text is my hymn to defiance, to the unformed, to the courage not to fear senselessness. Because even without meaning, I won't be silent. Not now, not in this world. And there is no other.

The essay was written as an answer to the price question of this year's Kingfisher Prize (link). We did not award him, but still publish it as an important contribution to the topic of the “new barbarians” due to its extraordinary literary quality. If you'd rather listen to it, you'll also find it read by Caroline Will on the Halcyonic Association for Radical Philosophy's YouTube channel (link) or on Soundcloud (link).

Last week, Emma Schunack reported on this year's annual meeting of the Nietzsche Society on the topic Nietzsche's technologies (link). In addition, in his article this week, Paul Stephan explores how Nietzsche uses the machine as a metaphor. The findings of his philological deep drilling through Nietzsche's writings: While in his early writings he builds on Romantic machine criticism and describes the machine as a threat to humanity and authenticity, from 1875, initially in his letters, a surprising turn takes place. Even though Nietzsche still occasionally builds on the old opposition of man and machine, he now initially describes himself as a machine and finally even advocates a fusion up to the identification of subject and apparatus, thinks becoming oneself as becoming a machine. This is due to Nietzsche's gradual general departure from the humanist ideals of his early and middle creative period and the increasing “obscuration” of his thinking — not least the discovery of the idea of “eternal return.” A critique of the capitalist social machine becomes its radical affirmation — amor fati as amor machinae.

In this two-part essay, the ultimate part of our ‘Hikes with Nietzsche’ series (link) for the time being, staff writer Henry Holland retraces summer rambles around Glasgow’s Southside, the home of Scotland’s most concentrated Muslim population. In this first instalment, Holland introduces the research on Nietzsche’s engagement with Islam and his reception within the Islamic world. He recounts how stumbling upon a lecture by Timothy Winter on the French theoretician and artist Pierre Klossowski and his encounter with the faith of Muhammed made him curious about this subject in the first place. We then launch into a travel diary that leads our writer to the heart of one of the present-day’s most debated topics, the role that Islam plays in modern European societies.

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The philosopher Friedrich Nietzsche died 125 years ago, on August 25, 1900. We are taking this important date as an opportunity to publish interviews with two of the most internationally renowned Nietzsche researchers, Andreas Urs Sommer and Werner Stegmaier, around this year's anniversary of his birth on October 15, 1844. Freiburg philosophy professor Sommer is currently working on an extensive biography of the thinker, which is why the conversation with him focused in particular on his life; the conversation with his colleague from Greifswald, which focuses primarily on Nietzsche's thinking, will follow shortly (link). It will soon become apparent that the two cannot be separated. Among other things, we asked the expert about Nietzsche's character, his sexuality and if he lived what he proclaimed.

A year ago, our author Paul Stephan conducted a small “dialogue” on the 124th anniversary of Nietzsche's death with ChatGPT to see to what extent the much-hyped program is suitable for discussing complex philosophical questions (link). Paul Stephan now fed it, for the 125th, with some of the same, partly changed questions. Has it improved? Judge for yourself.

What follows, is a very abbreviated excerpt of the conversation. The full commented “dialogue” can be found here [link].

The article image was created by ChatGPT itself when asked to generate a picture of this chat. The other pictures were created again by the software DeepAI based on the prompt: “A picture of Friedrich Nietzsche with a quote by him.”

Read also our author's philosophical commentary on this “talk” (Link).

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Note: A lot of the weirdness of this encounter is lost in the subsequent automated translation. Thus, it's also a part of this experiment on the “philosophical capabilities” of AI. Check the original if you want to get everything.

Werner Herzog (born 1942), described as a “mythomaniac” by Linus Wörffel, and Klaus Kinski (1926—1991) are among the leading figures of post-war German cinema. In the 70s and 80s, the filmmaker and the actor shot five feature films that are among the classics of the medium's history. They are hymns to tragic heroism, in which the spirit of Nietzsche can easily be recognized. From “Build Your Cities on Vesuvius! “will “Build opera houses in the rainforest! ”.

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Taylor Swift is one of the most important “idols” of our time. Reason enough for our regular authors Henry Holland, Paul Stephan and Estella Walter to pick up on the Nietzschean “hammer” and get to grips with the hype a bit: Does Swift deserve the cult around her that goes down to philosophy? Is it grossly overrated? And what explains the discrepancy between appearance and reality, spectacle and life?

You can watch the entire unabridged conversation on the Halcyonic Association for Radical Philosophy YouTube channel (link).

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The humanities scene recently experienced a minor sensation: In the estate of Michel Foucault (1926—1984), one of the most important representatives of post-structuralism, its editors came across an elaborate book manuscript with the title Le discours philosophique, on which the avowed Nietzschean had worked in 1966. It was published in German by Suhrkamp in 2024. Nietzsche plays a decisive role in this comprehensive analysis of philosophical discourse since Descartes. Paul Stephan takes this event as an opportunity to take a closer look at the most influential Nietzsche interpretation of the 20th century to date.

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In our last article before the break at the turn of the year, Paul Stephan explores a Close reading A remarkable aphorism of Nietzsche, in which he expresses himself with the famous Christmas blessing “Glory be to God in height and peace on earth and to people! “discusses. As when unwrapping a gift that has been covered several times, he tries to reveal the different layers of meaning in this text in order to make Nietzsche's exact positioning clearly stand out. The reader may decide for himself whether you end up holding a glowing truth in your hand or the box remains empty. In any case, we wish all our readers with Nietzsche: “Peace on earth and good pleasure for each other! ”

Nietzsche's superman is dead. Hardly anyone can do anything with this obscure idea anymore. You'd think so. And yet, in the current startup environment, you encounter numerous set pieces from Zarathustra's promise. What is it all about? — On the occasion of Nietzsche's 180th birthday, Natalie Schulte dedicates herself to this peculiar continuation of one of the philosopher's best-known concepts. A plea for taking a closer look at Nietzsche's idea despite its past and present misinterpretations.

Editor's note: We have translated longer English quotations into German in the footnotes ourselves.

Since 1994, the house in Naumburg where Nietzsche lived with his mother for several years after his mental collapse in 1889 has had a museum dedicated to life and work. On the occasion of the thirtieth anniversary of its existence, the permanent exhibition of the Nietzsche House was completely redesigned, curated by Berlin philosopher Daniel Tyradellis. Our regular author Lukas Meisner was there and took a look at them.

To commemorate the 124th anniversary of Nietzsche’s death, Paul Stephan conversed with a rather particular kind of Nietzsche expert—the now near ubiquitous ChatGPT. Their discussion circled around questions of why Nietzsche matters today and his concept of authenticity. During the course of the conversation, Stephan switched from asking to fielding questions, and elaborated briefly on how his own doctoral dissertation also focuses on authenticity. As Stephan’s experiment aimed at probing deep into the program’s capabilities, and because brevity is not ChatGPT’s strongest asset, we present here an abridged version of the conversation. Readers of German who wish to delve deeper can view the unabridged and annotated PDF that’s available as a download (link). Watch out for Stephan’s critical reflections on this truly remarkable dialogue within the next few days (link).

The pictures accompanying the interview were created with DeepAI software, which was asked to produce “A picture of Friedrich Nietzsche with a quote by him.”

For hardly any other philosopher, music was as important as it was for Nietzsche. “Without music, life would be a mistake”¹, he wrote. Christian Saehrendt goes for Nietzsche PopArts The question of how this high appreciation of sound art was manifested in his life and work. He talks about Nietzsche's own compositions as well as one of the most iconic aspects of his life: his friendship with Richard Wagner. He shows that the music for Nietzsche is almost erotic It was important — and in this respect he was not so “out of date” at all, but a typical child of his time.

In his recently published study Theory of Liberation [Theorie der Befreiung]Frankfurt philosopher Christoph Menke describes liberation as “fascination,” as pleasurable desubjectization and dedication. He refers decisively to Nietzsche — but for him, “fascination” means bewitching, entanglement in lack of freedom and resentment. Can the mystical power of fascination really set us free — or is it not rather Nietzsche's right and liberation means above all self-empowerment and autonomy, whereas the fascinated sacrifice means submission, not least to a fascist leader?