Like a year ago (link), our author Paul Stephan is also adding a commentary to this year's “dialogue” (link) with ChatGPT on the current state of thedevelopment of “artificial intelligence.” His assessment is somewhat more sober — but he does not want to be denied his fundamental optimism in technology. He also wants to avoid pessimism and naive hype, which is obviously being fueled right now to ensure that billions of dollars invested in AI are amortized.

We had various AI tools generate the images for this article at the following prompt: “Please give me a picture of the aphorism 'You still have to have chaos in yourself to be able to give birth to a dancing star' by Nietzsche,” one of ChatGPT's “favorite quotes” by the philosopher from Thus Spoke Zarathustra (link). The article image is from Microsoft AI.

Kafka and Nietzsche are united by their confrontation with the state and bureaucracy. Deleuze & Guattari, whose works are based on both, develop an apolitical response to the fatal political situation, namely transformations after Kafka, an expansion of themselves to Nietzsche, which can be understood as escape lines from a patronizing society.

From October 7 to 11, 2024, the event organized by the Klassik Stiftung Weimar took place in Weimar Nietzsche's futures. Global Conference on the Futures of Nietzsche instead of. Our regular author Paul Stephan was on site on the first day and gives an insight into the current state of academic discussions about Nietzsche. His question: What is the future of Nietzsche academic research when viewed from the perspective of Nietzsche's own radical understanding of the future?

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Artists often do not come off well in Nietzsche’s work. They represent the prototype of the dependent, truth-hostile and reality-denying person who is at the mercy of his own moods without self-control. A childish, dramatizing, hot-tempered and generally ridiculous creature, an egomaniac whose actions and demeanor are aimed solely at courting the applause of others. Or is Nietzsche not taking his word for it here? Should this really be his final verdict about the creative spirit?

He develops much of what Nietzsche describes about the artist on the figure Richard Wagner, with whom he has a brief, intensive, but ultimately disappointing acquaintance. The artist and the thinker could have been the ideal friendship for Nietzsche for a while. But after breaking with Wagner, Nietzsche has a lot of derogatory things to say about the artist as a type. How different — for comparison — is the friendship between artist and thinker in Narcissus and Goldmund by Hermann Hesse, who deals extensively with Nietzsche.

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