The following text explores the hypothesis that every philosophy of the zeitgeist finds its onset at something that bothers it: in the beginning, there was disgruntlement. This something is interpreted here as an illiberally disgruntled enlightenment, which is embodied in the current “polarization.” With Francis Fukuyama's help, this trail is explored and the drama of the recognition of modern Enlightenment is described.

The philosopher Fukuyama, born in Chicago in 1952, is primarily known for his essay The End of History? from 1989¹. There, he held that the “end of history” assumed by Hegel had finally arrived with the looming collapse of the Soviet Union. He saw the triumphant liberal Western democracies as the final stage of the process of historical progress. In 1992, Fukuyama published his main work based on this essay: The End of History and the Last Man, in which he combines Hegel's thesis with Nietzsche's diagnosis of the “last man.” Our author is also referring to this book. It caused controversial debates worldwide and continues to provoke today. — Do we really live after the “end of history”? Our author agrees with Fukuyama: While with the form of liberal democracy a final embodiment of the course of history has been achieved, history has been continuing as a conflict within this embodiment. World history has become history of liberalism.

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Werner Herzog (born 1942), described as a “mythomaniac” by Linus Wörffel, and Klaus Kinski (1926—1991) are among the leading figures of post-war German cinema. In the 70s and 80s, the filmmaker and the actor shot five feature films that are among the classics of the medium's history. They are hymns to tragic heroism, in which the spirit of Nietzsche can easily be recognized. From “Build Your Cities on Vesuvius! “will “Build opera houses in the rainforest! ”.

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Taylor Swift is one of the most important “idols” of our time. Reason enough for our regular authors Henry Holland, Paul Stephan and Estella Walter to pick up on the Nietzschean “hammer” and get to grips with the hype a bit: Does Swift deserve the cult around her that goes down to philosophy? Is it grossly overrated? And what explains the discrepancy between appearance and reality, spectacle and life?

You can watch the entire unabridged conversation on the Halcyonic Association for Radical Philosophy YouTube channel (link).

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“Resentment” is one of the guiding concepts of Nietzsche's philosophy and perhaps even its most effective. In his new book The cold rage. Resentment theory and practice (Marburg 2024, Büchner-Verlag), Jürgen Grosse argues that since the 18th century, more or less all political or social movements have been those of resentment. Our main author Hans-Martin Schönherr-Mann has read it and presents major theses below.

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It is well known that Nietzsche's history of influence has been read and absorbed across all political camps. But what about our present tense? Paul Stephan examines the writings of two authors who are about the same age as himself, in their mid/late 30s, and whose perspectives on Nietzsche could hardly be more different: While French journalist and YouTuber Julien Rochedy declares Nietzsche a pioneer of a right-wing cultural struggle, the German philosopher and political scientist Karsten Schubert attacks him for a left-wing identity politics. Both positions do not really convince our authors; rather, they are entirely within the framework of the prevailing simulation of politics as a cultural struggle, which would need to be countered by focusing on the really pressing life problems of contemporary humanity.