Exactly two years ago, we published our first article on this blog, The Enduringly Contested Friedrich Nietzsche, a report by Paul Stephan about the annual meeting of the Nietzsche Society in 2023. Time to pause for a moment and think about what we've done on this blog so far and what the future could look like. Our editor-in-chief draws an interim conclusion and gives an insight into our plans.

We are combining this anniversary with two special appeals to you. On the one hand, we created a small quiz (link; in German). Answer four questions correctly, the answers to which are derived from our previous articles, and you could win one of thirteen prizes — and if you want, you can also give us valuable feedback about our work.

We would also like to draw you attention to our crowdfunding call. By July 10, we would like to invite you to help us raise €6,000 to finance further professional translations of our articles. In return, we offer you some fantastic rewards, including in particular the option of translating an article of your choice or giving us an article topic that you've always wanted to read about on this blog. Or you can get to know some of our authors at an exclusive Zoom workshop for our supporters. Become a bridge builder!

Last year, curator and art historian Barbara Straka published a two-volume monograph entitled Nietzsche forever? Friedrich Nietzsches Transfigurationen in der zeitgenössischen Kunst (Nietzsche Forever? Friedrich Nietzsche's Transfigurations in Contemporary Art), in which she explains Nietzsche's significance for the visual arts of the present day. After Michael Meyer-Albert dedicated a two-part review to her work in recent weeks (part 1, part 2), here follows an interview conducted by our author Jonas Pohler with the author in Potsdam. He discussed her book with her, but also about the not always easy relationship between philosophy and contemporary art.

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