From the hedge-fund billions that bankroll Nigel Farage, and tie that funding to evangelical expansionism, to Nietzsche’s fulminating assault on Christianity as a “slave revolt”: this essay tracks the troubling way religion has reappeared at the heart of British public life. Arriving in London with walking boots, a rucksack, and a philosopher’s skepticism, the author follows the money, theology, and street culture surrounding charismatic Christianity and its seemingly unappeasable growth. At the centre stands Sir Paul Marshall: billionaire financier, Christian media mogul, and embodiment of a faith that feels entitled to reach for elite power.

But this is more than merely an unveiling of the knot that binds together wealth and religion. It is also a confrontation with Nietzsche’s deepest historical claim: that Christianity triumphed because the so-called weak learned to moralize against the strong. Wandering through churches, cafés, and city streets, the essay asks whether contemporary evangelical London represents a new form of that revolt—or its complete inversion.

Part I explores the rise of influential evangelical networks in modern Britain and their uneasy alliance with finance capitalism. Part II, which will appear shortly, returns to the first Christians themselves.

This article is a follow-up to Henry Holland’s account of hiking through Glasgow’s Muslim Southside (part I, part II).

At first glance, Dieter Bohlen and Friedrich Nietzsche have as little connection as Marie Antoinette with Rosa Luxemburg or Napoleon with Angela Merkel — but a second reveals greater affinities than one might suspect. In any case, this unlike synopsis enables a new perspective — on Bohlen and on Nietzsche in equal measure. “Pairing the strangest and separating the next”¹, in the following text, our regular author Christian Saehrendt undertakes a truly Nietzschean search for clues on the tracks of the “titan” of German pop, which to this day polarizes like only a few celebrities in the German-speaking world — this, too, a line of connection between philosopher and musician.