Barbara Straka's newly published book Nietzsche Forever? explores the question of how Nietzsche is received in 20th century art, in particular that after 1945. But the reception of Nietzsche's reception raises the question of whether the philosopher's monumentality is lost sight of. Does this reveal a fundamental problem of our age with monumentality? In any case, starting from Nietzsche, Michael Meyer-Albert argues against Straka for a “post-monumental monumentality” as an alternative to aesthetic postmodernism. In the first part of the two-part series, he dedicated himself to her book, and now he is accentuating his opposite position.

The fact that Nietzsche is a philosopher who speaks particularly to artists, even an “artist-philosopher,” is almost commonplace. In Barbara Straka's newly published book Nietzsche Forever?, the question is explored how exactly Nietzsche has been received in 20th century art, in particular that after 1945. The author has created a standard work that clearly and competently conveys the topic in plausible overviews. In this first part of this two-part article, Michael Meyer-Albert dedicates himself to her book and will then accentuate his own position in the upcoming second part.

A fixed feature at the annual conference of the Nietzsche Gesellschaft [Nietzsche Society] conference is the Lectio Nietzscheana Naumburgensis: a particularly distinguished scholar delivering an extended lecture on the conference theme on the final day, thereby providing a pointed conclusion. The most recent conference in October 2025 awarded this special honor to Werner Stegmaier to recognize his long tenure as editor of the influential Nietzsche-Studien [Nietzsche Studies] and his authorship of numerous seminal monographs on Nietzsche’s philosophy. Running from October 16-19, 2025, the conference focused the theme “Nietzsche’s Technologies,” as Emma Schunack reported.

Generously granting his permission to publish his lecture in full and in this translation, Stegmaier takes on the conference theme from an unexpected perspective. Rather than examining what is commonly understood as “technologies”—machines, cyborgs, or automata—he explores instead Nietzsche’s philosophical techniques, both intellectual and rhetorical. Weighing up the original and idiosyncratic methods Nietzsche deployed while writing, Stegmaier reflects on how best to interpret and assess them. How were they able to enthuse and win over successive generations of readers? What can we learn from these today?

Comparing Nietzsche’s techniques with those of two other modern philosophical giants, Martin Heidegger (1889–1976) and Ludwig Wittgenstein (1889–1951), Stegmaier retraces all three philosophers’ break with the classical and conceptually oriented techniques of thinking inherited from antiquity, and their discoveries of radical and experimental means of developing philosophy in the age of “nihilism.” Replacing a one-dimensional, metaphysical understanding of rationality, these means cultivate a plural, perspectival mode of thought that necessarily relies on entirely different techniques. Situating Nietzsche’s methods within these broader developments in intellectual history, the Lectio establishes an utterly new framework for understanding his thought and its place within modern philosophy.

Translated by Henry Holland.

The almost complete Freiburg Nietzsche commentary has now become an indispensable tool for Nietzsche research. In meticulous detail work, the authors compiled useful information on almost all aspects of Nietzsche's works (history of origin, sources, allusions, receptions, interpretations...) and commented on them passage by passage, sometimes sentence by sentence and word by word. Almost all of the volumes published so far are available free of charge on the de Gruyter Verlag website (link). Even laymen will find a real treasure trove of background information and explanations here. The three leading employees of the project — its long-time manager Andreas Urs Sommer, Katharina Grätz and Sebastian Kaufmann — took the opportunity to dedicate this year's annual meeting of the Nietzsche Society to the topic of “Commenting on Nietzsche.” They were not only looking back, but also looking ahead.

Paul Stephan talked to Jenny Kellner and Hans-Martin Schönherr-Mann about the interpretation of one of the most important Nietzsche interpreters of the 20th century: Georges Bataille (1897—1962). The French writer, sociologist and philosopher defended the ambiguity of Nietzsche's philosophy against its National Socialist appropriation and thus became a central source of postmodernism. Based on Dionysian mythology, he wanted to develop a new concept of sovereignty that transcends the traditional understanding of responsible subjectivity, and criticized modern capitalist rationality in the name of an “economy of waste.” With all this, he provides important impulses for a better understanding of our present tense.