}

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Olympic Games

The Atheist as Overtrainer

Nietzsche and the New Devoutness in Sports

The Atheist as Overtrainer

Nietzsche and the New Devoutness in Sports

6.10.26
Christian Saehrendt

More and more professional athletes are openly embracing their religious faith – and some even cite Nietzsche as a source of ideological motivation. What is behind the Nietzsche worship among some athletes? Is Nietzsche really suitable as a motivator for physical training? And: Is the well-known atheist Nietzsche a better coach than God?

More and more professional athletes are openly embracing their religious faith – and some even cite Nietzsche as a source of ideological motivation. What is behind the Nietzsche worship among some athletes? Is Nietzsche really suitable as a motivator for physical training? And: Is the well-known atheist Nietzsche a better coach than God?

Monumentality Issues. Nietzsche in Art After 1945

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Thoughts on the Book Nietzsche Forever? by Barbara Straka II

Monumentality Issues. Nietzsche in Art After 1945

Thoughts on the Book Nietzsche Forever? by Barbara Straka II

4.2.26
Michael Meyer-Albert

Barbara Straka's newly published book Nietzsche Forever? explores the question of how Nietzsche is received in 20th century art, in particular that after 1945. But the reception of Nietzsche's reception raises the question of whether the philosopher's monumentality is lost sight of. Does this reveal a fundamental problem of our age with monumentality? In any case, starting from Nietzsche, Michael Meyer-Albert argues against Straka for a “post-monumental monumentality” as an alternative to aesthetic postmodernism. In the first part of the two-part series, he dedicated himself to her book, and now he is accentuating his opposite position.

Barbara Straka's newly published book Nietzsche Forever? explores the question of how Nietzsche is received in 20th century art, in particular that after 1945. But the reception of Nietzsche's reception raises the question of whether the philosopher's monumentality is lost sight of. Does this reveal a fundamental problem of our age with monumentality? In any case, starting from Nietzsche, Michael Meyer-Albert argues against Straka for a “post-monumental monumentality” as an alternative to aesthetic postmodernism. In the first part of the two-part series, he dedicated himself to her book, and now he is accentuating his opposite position.