Nietzsche modifies the quintessentially German notion of the forest as an idyll, which our author described in the first part of this two-part series (link). This follow-up aims to precisely understand this modification and its significance for our time.

Nietzsche’s preferred landscape for thought is the high mountains. In this context, the forest becomes important as the tree line—a zone where life is just barely possible before it freezes. For Nietzsche, the timberline becomes the muse of a thinker who lives dangerously and always on the edge. Modernity can thus be described as a cultural high forest that is constantly on the verge of withering; the fading of the idyll of forest solitude is obvious to the Germans. Nietzsche’s stance is long past being an elitist attitude; in post-war modernity, for instance within various subcultures, it has become a mass mentality. In the current movement of social radicalization, however, we are observing a new kind of mass resentment—to escape it, we must relearn the art of shaping our own lives as a heroic idyll on the edge of the abyss.

Like a year ago (link), our author Paul Stephan is also adding a commentary to this year's “dialogue” (link) with ChatGPT on the current state of thedevelopment of “artificial intelligence.” His assessment is somewhat more sober — but he does not want to be denied his fundamental optimism in technology. He also wants to avoid pessimism and naive hype, which is obviously being fueled right now to ensure that billions of dollars invested in AI are amortized.

We had various AI tools generate the images for this article at the following prompt: “Please give me a picture of the aphorism 'You still have to have chaos in yourself to be able to give birth to a dancing star' by Nietzsche,” one of ChatGPT's “favorite quotes” by the philosopher from Thus Spoke Zarathustra (link). The article image is from Microsoft AI.

In this two-part essay, Paul Stephan examines how Nietzsche uses the wanderer as a personification of modern nihilism. After he is in the first part (link) focused on the general cultural significance of movement metaphors and the metaphor of wandering in Nietzsche's important brother in spirit, the Danish philosopher Søren Kierkegaard, it will now primarily be about Nietzsche himself.

Our author Natalie Schulte traveled by bicycle for nine months Vietnam, Kampuchea, Thailand and malaysia. In her penultimate contribution to the series ”Hikes with Nietzsche“ she muses on encounters with wild animals that she met or could have met on her journey. It is hardly surprising that this includes considerations about the importance of animals, as they occur in Nietzsche's philosophy.

Perhaps it is Nietzsche's main philosophical achievement that he described thinking as a process that happens in person. For him, reflection is a cooperative tension of body and mind. The mind is grounded in the nervous cosmopolitanism of the body. Nietzsche's conversion of Christianity: The flesh becomes word. This shows thinking in gestures. The following is intended to provide a sketch which indicates the main types of these reflexive gestures. This is intended to illustrate what it means when Nietzsche repeatedly describes himself as a wanderer. An intellectual tour that leads from standing and sitting as basic modes of traditional philosophy to walking, (out) wandering and halcyonic flying as Nietzsche's alternative modes of liberated thought and life.