}

#

Max Horkheimer

Mythomaniacs in Lean Years

About Klaus Kinski and Werner Herzog

Mythomaniacs in Lean Years

Über Klaus Kinski und Werner Herzog

16.7.25
Paul Stephan

Werner Herzog (born 1942), described as a “mythomaniac” by Linus Wörffel, and Klaus Kinski (1926—1991) are among the leading figures of post-war German cinema. In the 70s and 80s, the filmmaker and the actor shot five feature films that are among the classics of the medium's history. They are hymns to tragic heroism, in which the spirit of Nietzsche can easily be recognized. From “Build Your Cities on Vesuvius! “will “Build opera houses in the rainforest! ”.

Werner Herzog (born 1942), described as a “mythomaniac” by Linus Wörffel, and Klaus Kinski (1926—1991) are among the leading figures of post-war German cinema. In the 70s and 80s, the filmmaker and the actor shot five feature films that are among the classics of the medium's history. They are hymns to tragic heroism, in which the spirit of Nietzsche can easily be recognized. From “Build Your Cities on Vesuvius! “will “Build opera houses in the rainforest! ”.

A Philosophical Serenade About Grayness

A Summer Evening with Sloterdijk at Gütchenpark in Halle

A Philosophical Serenade About Grayness

A Summer Evening with Sloterdijk at Gütchenpark in Halle

28.10.24
Michael Meyer-Albert

One of the most important philosophers of our time, Peter Sloterdijk (born 1947), visited Halle at the beginning of July. The thinker, who was heavily influenced by Nietzsche, shared his thoughts about “gray” there and impressively showed the heights to which philosophy can rise.

One of the most important philosophers of our time, Peter Sloterdijk (born 1947), visited Halle at the beginning of July. The thinker, who was heavily influenced by Nietzsche, shared his thoughts about “gray” there and impressively showed the heights to which philosophy can rise.

The Enlightenment’s Twilight

Nietzsche's Truth of Semblance I

The Enlightenment’s Twilight

Nietzsche's Truth of Semblance I

16.6.24
Michael Meyer-Albert

Nietzsche's best-known formulation, according to which God is dead, not only shows an anti-religious thrust. In particular, it points out that in modern times, constitutive self-evident elements no longer have traditional validity. As the cultural understanding of truth has faltered, not only has this or that truth become questionable, but the understanding of what truth actually is. This puts enlightenment under pressure to find the questions to which it should be the answer. It is this abyss of uncanny questionability from which Nietzsche's thinking attempts to show ways out that are viable. In the first part of his text Enlightenment Twilight Michael Meyer-Albert talks about the clarified doubts of the Enlightenment about itself.

Nietzsche's best-known formulation, according to which God is dead, not only shows an anti-religious thrust. In particular, it points out that in modern times, constitutive self-evident elements no longer have traditional validity. As the cultural understanding of truth has faltered, not only has this or that truth become questionable, but the understanding of what truth actually is. This puts enlightenment under pressure to find the questions to which it should be the answer. It is this abyss of uncanny questionability from which Nietzsche's thinking attempts to show ways out that are viable. In the first part of his text Enlightenment Twilight Michael Meyer-Albert talks about the clarified doubts of the Enlightenment about itself.

“Je suis Nietzsche!”

A Dialogue about Bataille, Freedom, the Economy of waste, Ecology and War

“Je suis Nietzsche!”

A Dialogue about Bataille, Freedom, the Economy of waste, Ecology and War

22.5.24
Jenny Kellner, Hans-Martin Schönherr-Mann & Paul Stephan

Paul Stephan talked to Jenny Kellner and Hans-Martin Schönherr-Mann about the interpretation of one of the most important Nietzsche interpreters of the 20th century: Georges Bataille (1897—1962). The French writer, sociologist and philosopher defended the ambiguity of Nietzsche's philosophy against its National Socialist appropriation and thus became a central source of postmodernism. Based on Dionysian mythology, he wanted to develop a new concept of sovereignty that transcends the traditional understanding of responsible subjectivity, and criticized modern capitalist rationality in the name of an “economy of waste.” With all this, he provides important impulses for a better understanding of our present tense.

Paul Stephan talked to Jenny Kellner and Hans-Martin Schönherr-Mann about the interpretation of one of the most important Nietzsche interpreters of the 20th century: Georges Bataille (1897—1962). The French writer, sociologist and philosopher defended the ambiguity of Nietzsche's philosophy against its National Socialist appropriation and thus became a central source of postmodernism. Based on Dionysian mythology, he wanted to develop a new concept of sovereignty that transcends the traditional understanding of responsible subjectivity, and criticized modern capitalist rationality in the name of an “economy of waste.” With all this, he provides important impulses for a better understanding of our present tense.