

In the second part of his article on hiking through Glasgow’s Muslim-esque Southside, our staff writer Henry Holland delves into Nietzsche’s impassioned yet scattergun engagement with the youngest Abrahamic religion. He investigates how the experimental novel The Baphomet by French artist and theoretician Pierre Klossowski – which got him hooked on the Islam-Nietzsche intersection in the first place – blends Islam-inspired mysticism, sexual transgression and Nietzscheanism itself into an inimitable potion. With insights on Muslim-esque readings of Nietzsche in tow, Holland returns with Fatima and Ishmael to Scotland’s largest city, thus wrapping up his travelogue whence it began.


Last week, Emma Schunack reported on this year's annual meeting of the Nietzsche Society on the topic Nietzsche's technologies (link). In addition, in his article this week, Paul Stephan explores how Nietzsche uses the machine as a metaphor. The findings of his philological deep drilling through Nietzsche's writings: While in his early writings he builds on Romantic machine criticism and describes the machine as a threat to humanity and authenticity, from 1875, initially in his letters, a surprising turn takes place. Even though Nietzsche still occasionally builds on the old opposition of man and machine, he now initially describes himself as a machine and finally even advocates a fusion up to the identification of subject and apparatus, thinks becoming oneself as becoming a machine. This is due to Nietzsche's gradual general departure from the humanist ideals of his early and middle creative period and the increasing “obscuration” of his thinking — not least the discovery of the idea of “eternal return.” A critique of the capitalist social machine becomes its radical affirmation — amor fati as amor machinae.


A year ago, our author Paul Stephan conducted a small “dialogue” on the 124th anniversary of Nietzsche's death with ChatGPT to see to what extent the much-hyped program is suitable for discussing complex philosophical questions (link). Paul Stephan now fed it, for the 125th, with some of the same, partly changed questions. Has it improved? Judge for yourself.
What follows, is a very abbreviated excerpt of the conversation. The full commented “dialogue” can be found here [link].
The article image was created by ChatGPT itself when asked to generate a picture of this chat. The other pictures were created again by the software DeepAI based on the prompt: “A picture of Friedrich Nietzsche with a quote by him.”
Read also our author's philosophical commentary on this “talk” (Link).
Note: A lot of the weirdness of this encounter is lost in the subsequent automated translation. Thus, it's also a part of this experiment on the “philosophical capabilities” of AI. Check the original if you want to get everything.


The almost complete Freiburg Nietzsche commentary has now become an indispensable tool for Nietzsche research. In meticulous detail work, the authors compiled useful information on almost all aspects of Nietzsche's works (history of origin, sources, allusions, receptions, interpretations...) and commented on them passage by passage, sometimes sentence by sentence and word by word. Almost all of the volumes published so far are available free of charge on the de Gruyter Verlag website (link). Even laymen will find a real treasure trove of background information and explanations here. The three leading employees of the project — its long-time manager Andreas Urs Sommer, Katharina Grätz and Sebastian Kaufmann — took the opportunity to dedicate this year's annual meeting of the Nietzsche Society to the topic of “Commenting on Nietzsche.” They were not only looking back, but also looking ahead.