On April 15, 1980, one of the most important philosophers of the 20th century, Jean-Paul Sartre, died at the age of 74. Paul Stephan spoke with Jens Bonnemann, chairman of the German-speaking Sartre-Gesellschaft, about his basic ideas, his relationship with Nietzsche and his significance for our time. What does it mean to live in freedom after the “death of God”? What are the limits of individual freedom? What are the differences and similarities between Sartre and Nietzsche?

You can also view the unedited version of the conversation, in German, on YouTube and listen to it on Soundcloud.

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In its early publication The Birth of Tragedy (1872) Nietzsche formulated his basic theory of ancient tragedy. The moment of Rausch — a term which often translated as “intoxication” but refers not just to states of intoxication caused by the use of intoxicating drugs — is just as fundamental here as it is for Nietzsche's understanding of art in general. Emma Schunack investigates how the Dionysian intoxication of ancient tragedy is reflected in Hermann Nitsch's contemporary art. Between bloody animal pelts on purple, vermilion and lemon-yellow colored sheets + candied white violets.¹ To what extent can the concept of Dionysian Rausch in Nitsch's “Orgies Mystery Theatre” be understood as a contemporary continuation of Nietzsche's understanding of art? An attempt to read Nitsch with Nietzsche.

After our author, in the first part of this article, described the current political-cultural situation with reference to Fukuyama as an outgrowth of deep-seated boredom, which numbs itself in excesses of anger and indignation, he tries in the following second to suggest a possible turn for this zeitgeist, which could manifest itself in a new Enlightenment verve and a new positive self-image of the Enlightenment. Our author, with Nietzsche, opposes the “four despairs” that afflict the present tense, “four transfigurations” and “fields of research” resulting from them. An ironic view of the world and oneself should help to practice a transfigurative perspective on the world, which would be able to overcome the lethargy of postmodernism and revitalize the modernist project. The program of self-reliant future Enlightenment.

The young philosopher Johannes Hansmann has published his monograph Ironie des Schicksals im Einzelnen. Philosophie der Kontingenz bei Marquard und Rorty ("Irony and Fate in Detail. The Philosophy of Contingency in Marquard and Rorty") last year at Karl Alber. It is a remarkable study on two of the most important representatives of existential philosophy in the 20th century, the German Odo Marquard (1928-2015) and the American Richard Rorty (1931-2007). Although Nietzsche only plays a minor role, he deals with highly Nietzschean topics there, dedicates himself to the question of a felicitous — and for him that means in particular: authentic — life in a world after the “death of God,” to which Marquard and Rorty gave very different answers. Natalie Schulte and Paul Stephan present the book to you. A joint summary of the book's most important ideas is followed by an individual statement from each of our authors.

Barbara Straka's newly published book Nietzsche Forever? explores the question of how Nietzsche is received in 20th century art, in particular that after 1945. But the reception of Nietzsche's reception raises the question of whether the philosopher's monumentality is lost sight of. Does this reveal a fundamental problem of our age with monumentality? In any case, starting from Nietzsche, Michael Meyer-Albert argues against Straka for a “post-monumental monumentality” as an alternative to aesthetic postmodernism. In the first part of the two-part series, he dedicated himself to her book, and now he is accentuating his opposite position.

A fixed feature at the annual conference of the Nietzsche Gesellschaft [Nietzsche Society] conference is the Lectio Nietzscheana Naumburgensis: a particularly distinguished scholar delivering an extended lecture on the conference theme on the final day, thereby providing a pointed conclusion. The most recent conference in October 2025 awarded this special honor to Werner Stegmaier to recognize his long tenure as editor of the influential Nietzsche-Studien [Nietzsche Studies] and his authorship of numerous seminal monographs on Nietzsche’s philosophy. Running from October 16-19, 2025, the conference focused the theme “Nietzsche’s Technologies,” as Emma Schunack reported.

Generously granting his permission to publish his lecture in full and in this translation, Stegmaier takes on the conference theme from an unexpected perspective. Rather than examining what is commonly understood as “technologies”—machines, cyborgs, or automata—he explores instead Nietzsche’s philosophical techniques, both intellectual and rhetorical. Weighing up the original and idiosyncratic methods Nietzsche deployed while writing, Stegmaier reflects on how best to interpret and assess them. How were they able to enthuse and win over successive generations of readers? What can we learn from these today?

Comparing Nietzsche’s techniques with those of two other modern philosophical giants, Martin Heidegger (1889–1976) and Ludwig Wittgenstein (1889–1951), Stegmaier retraces all three philosophers’ break with the classical and conceptually oriented techniques of thinking inherited from antiquity, and their discoveries of radical and experimental means of developing philosophy in the age of “nihilism.” Replacing a one-dimensional, metaphysical understanding of rationality, these means cultivate a plural, perspectival mode of thought that necessarily relies on entirely different techniques. Situating Nietzsche’s methods within these broader developments in intellectual history, the Lectio establishes an utterly new framework for understanding his thought and its place within modern philosophy.

Translated by Henry Holland.

On the occasion of the 125^th anniversary of Friedrich Nietzsche’s death on August 25, we spoke with two of the most internationally renowned Nietzsche scholars, Andreas Urs Sommer and Werner Stegmaier. While the conversation with Sommer focused primarily on Nietzsche’s life, our discussion with Stegmaier centered on Nietzsche’s thinking, its relevance today, and Stegmaier’s own philosophy of orientation. What are Nietzsche’s central insights – and to what extent can they help us find our way in the present? What does his concept of “nihilism” mean? And what are the political implications of his philosophy?

Translated by Reinhard Müller.

Nietzsche was repeatedly elevated to a figurehead by right-wing theorists and politicians. From Mussolini and Hitler to the AfD — Nietzsche is repeatedly seized when it comes to confronting modern society with a radical reactionary alternative. Nietzsche was particularly fascinating to intellectual right-wingers, such as authors like Ernst Jünger, Carl Schmitt and Martin Heidegger, who formed a cultural prelude to the advent of National Socialism in the 1920s, even though they later partially distanced themselves from it. People also often talk about the “Conservative Revolution”¹.

What do these authors draw from Nietzsche and to what extent do they read him one-sidedly and overlook other potentials in his work? Our author Paul Stephan spoke about this with philosopher Robert Hugo Ziegler.

The connection between Marx(ism) and Nietzsche(anism) has repeatedly been a topic on our blog. To what extent can the ideas of arguably the most important theorist on the left and the philosophical chameleon, who was an avowed anti-socialist and anti-feminist and inspired Goebbels and Mussolini, among others, be meaningfully combined. While there have been repeated attempts at left-wing Nietzscheanism, Estella Walter's conclusion in this controversial thesis article is skeptical: The contrast between “historical-dialectical materialism” and Nietzsche's idea of will to power is too irreconcilable. Beyond his time diagnosis, his thinking only provides little emancipatory content.

Franz Kafka died 100 years ago. The following text is an attempt to update his work with a socio-psychological perspective inspired by Nietzsche. His thesis: Kafka narratingly shows what Nietzsche philosophizes about. Michael Meyer-Albert wants to promote the logic of a non-naive world enlightenment in the fictions of one of the most important authors of modern times: affirmation of life instead of suicide.

Editorial note: We have explained some difficult technical terms in the footnotes.

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Kafka and Nietzsche are united by their confrontation with the state and bureaucracy. Deleuze & Guattari, whose works are based on both, develop an apolitical response to the fatal political situation, namely transformations after Kafka, an expansion of themselves to Nietzsche, which can be understood as escape lines from a patronizing society.

After Michael Meyer-Albert in the first part of his text Telling the sad story of the self-doubt of the Enlightenment, he now reports on Nietzsche's “cheerful science” as an alternative.