}

#

Schulpforta

The Atheist as Overtrainer

Nietzsche and the New Devoutness in Sports

The Atheist as Overtrainer

Nietzsche and the New Devoutness in Sports

6.10.26
Christian Saehrendt

More and more professional athletes are openly embracing their religious faith – and some even cite Nietzsche as a source of ideological motivation. What is behind the Nietzsche worship among some athletes? Is Nietzsche really suitable as a motivator for physical training? And: Is the well-known atheist Nietzsche a better coach than God?

More and more professional athletes are openly embracing their religious faith – and some even cite Nietzsche as a source of ideological motivation. What is behind the Nietzsche worship among some athletes? Is Nietzsche really suitable as a motivator for physical training? And: Is the well-known atheist Nietzsche a better coach than God?

The Artificial Nietzsche

How A"I" Distorts Our Perception of Nietzsche and How We Can Counter This

The Artificial Nietzsche

How A"I" Distorts Our Perception of Nietzsche and How We Can Counter This

10.9.26
Paul Stephan

Our author Paul Stephan has finally had enough. The internet is being flooded with cheap A"I" content, often called "AI slop," which is just plain annoying—and is even being rewarded with countless likes and followers. Often, this content is about philosophy, too—specifically Nietzsche. How much damage is being done when this artificial Nietzsche increasingly displaces the real one, as A"I" outputs that repeat the same half-truths and falsehoods replace nuanced human interpretations? When machine-generated caricatures literally push out genuine photographs and artistic portraits? Paul Stephan embarked on an often frustrating search for answers and presents you with a few "highlights." Although he still believes that A"I" opens up positive possibilities—and occasionally makes use of them himself—in his third piece on the subject (feel free to read the first and second commentaries here and there), he feels it is time to take off the kid gloves and bring out the hammer. Stop the slop!

Our author Paul Stephan has finally had enough. The internet is being flooded with cheap A"I" content, often called "AI slop," which is just plain annoying—and is even being rewarded with countless likes and followers. Often, this content is about philosophy, too—specifically Nietzsche. How much damage is being done when this artificial Nietzsche increasingly displaces the real one, as A"I" outputs that repeat the same half-truths and falsehoods replace nuanced human interpretations? When machine-generated caricatures literally push out genuine photographs and artistic portraits? Paul Stephan embarked on an often frustrating search for answers and presents you with a few "highlights." Although he still believes that A"I" opens up positive possibilities—and occasionally makes use of them himself—in his third piece on the subject (feel free to read the first and second commentaries here and there), he feels it is time to take off the kid gloves and bring out the hammer. Stop the slop!

Nietzsche and Music

Nietzsche and Music

9.6.24
Christian Saehrendt

For hardly any other philosopher, music was as important as it was for Nietzsche. “Without music, life would be a mistake”1, he wrote. Christian Saehrendt goes for Nietzsche PopArts The question of how this high appreciation of sound art was manifested in his life and work. He talks about Nietzsche's own compositions as well as one of the most iconic aspects of his life: his friendship with Richard Wagner. He shows that the music for Nietzsche is almost erotic It was important — and in this respect he was not so “out of date” at all, but a typical child of his time.

For hardly any other philosopher, music was as important as it was for Nietzsche. “Without music, life would be a mistake,” he wrote. For Nietzsche PopArts, Christian Saehrendt explores the question of how this high appreciation of sound art was manifested in his life and work. He talks about Nietzsche's own compositions as well as one of the most iconic aspects of his life: his friendship with Richard Wagner. He shows that the music had an almost erotic meaning for Nietzsche — and that he was not so “out of date” in this regard, but a typical child of his time.