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Why Are Many No Longer Committed to Democracy!

Individualism as a Political and Social Threat in Tocqueville and Nietzsche — but also as an Opportunity

Why Are Many No Longer Committed to Democracy!

Individualism as a Political and Social Threat in Tocqueville and Nietzsche — but also as an Opportunity

26.9.25
Hans-Martin Schönherr-Mann

Individualism, even egoism, is frowned upon in all political, religious and social camps. They are attributed to liberalism and capitalism. Such people are not committed to others, are not involved politically or for the environment. They also do not respect a common understanding of the world and therefore behave irresponsibly. The Nietzschean  is not impressed by such verdicts. She dances — not only!

Individualism, even egoism, is frowned upon in all political, religious and social camps. They are attributed to liberalism and capitalism. Such people are not committed to others, are not involved politically or for the environment. They also do not respect a common understanding of the world and therefore behave irresponsibly. The Nietzschean is not impressed by such verdicts. She dances — not only!

Dionysus Without Eros

Was Nietzsche an Incel?

Dionysus Without Eros

Was Nietzsche an Incel?

2.9.25
Christian Saehrendt

It is well known that Nietzsche had a hard time with women. His sexual orientation and activity are still riddled with mystery and speculation today. Time and again, this question inspired artists of both genders to create provocatively mocking representations. Can he possibly be described as an “incel”? As an involuntary bachelor, in the spirit of today's debate about the misogynistic “incel movement”? Christian Saehrendt explores this question and tries to shed light on Nietzsche's complicated relationship with the “second sex.”

It is well known that Nietzsche had a hard time with women. His sexual orientation and activity are still riddled with mystery and speculation today. Time and again, this question inspired artists of both genders to create provocatively mocking representations. Can he possibly be described as an “incel”? As an involuntary bachelor, in the spirit of today's debate about the misogynistic “incel movement”? Christian Saehrendt explores this question and tries to shed light on Nietzsche's complicated relationship with the “second sex.”

Riveting Strangeness

Remarks on Kafka's Work

Riveting Strangeness

Remarks on Kafka's Work

9.12.24
Michael Meyer-Albert

Franz Kafka died 100 years ago. The following text is an attempt to update his work with a socio-psychological perspective inspired by Nietzsche. His thesis: Kafka narratingly shows what Nietzsche philosophizes about. Michael Meyer-Albert wants to promote the logic of a non-naive world enlightenment in the fictions of one of the most important authors of modern times: affirmation of life instead of suicide.

Editorial note: We have explained some difficult technical terms in the footnotes.

Kafka died 100 years ago. The following text is an attempt to update his work with a socio-psychological perspective inspired by Nietzsche. His thesis: Kafka narratingly shows what Nietzsche philosophizes about. Michael Meyer-Albert wants to promote the logic of a non-naive world enlightenment in the fictions of one of the most important authors of modern times: affirmation of life instead of suicide.

Fleeing the State: Kafka and Nietzsche’s Human

Or: Becoming-woman after Deleuze & Guattari

Fleeing the State: Kafka and Nietzsche’s Human

Or: Becoming-woman after Deleuze & Guattari

3.12.24
Hans-Martin Schönherr-Mann

Kafka and Nietzsche are united by their confrontation with the state and bureaucracy. Deleuze & Guattari, whose works are based on both, develop an apolitical response to the fatal political situation, namely transformations after Kafka, an expansion of themselves to Nietzsche, which can be understood as escape lines from a patronizing society.

Kafka and Nietzsche are united by their confrontation with the state and bureaucracy. Deleuze & Guattari, whose works are based on both, develop an apolitical response to the fatal political situation, namely transformations after Kafka, an expansion of themselves to Nietzsche, which can be understood as escape lines from a patronizing society.

Whistling in the Woods and Screaming for Love

Nietzsche's Echo in the Heavy Metal Music Scene

Whistling in the Woods and Screaming for Love

Nietzsche's Echo in the Heavy Metal Music Scene

1.7.24
Christian Saehrendt

Like hardly any other philosopher, Friedrich Nietzsche has left his mark on popular culture — less in the pleasing mainstream entertainment, but more in subcultures and in artistic positions that are considered “edgy” and “dark.” In this “underworld,” Nietzsche's aphorisms, catchphrases, slogans and invectives are widely used — for example in the musical genres of heavy metal, hardcore and punk focused on social and aesthetic provocation. What is the reason for that?

Like hardly any other philosopher, Friedrich Nietzsche has left his mark on popular culture — less in the pleasing mainstream entertainment, but more in subcultures and in artistic positions that are considered “edgy” and “dark.” In this “underworld,” Nietzsche's aphorisms, catchphrases, slogans and invectives are widely used — for example in the musical genres of heavy metal, hardcore and punk focused on social and aesthetic provocation. What is the reason for that?

Nietzsche and Music

Nietzsche and Music

9.6.24
Christian Saehrendt

For hardly any other philosopher, music was as important as it was for Nietzsche. “Without music, life would be a mistake”1, he wrote. Christian Saehrendt goes for Nietzsche PopArts The question of how this high appreciation of sound art was manifested in his life and work. He talks about Nietzsche's own compositions as well as one of the most iconic aspects of his life: his friendship with Richard Wagner. He shows that the music for Nietzsche is almost erotic It was important — and in this respect he was not so “out of date” at all, but a typical child of his time.

For hardly any other philosopher, music was as important as it was for Nietzsche. “Without music, life would be a mistake,” he wrote. For Nietzsche PopArts, Christian Saehrendt explores the question of how this high appreciation of sound art was manifested in his life and work. He talks about Nietzsche's own compositions as well as one of the most iconic aspects of his life: his friendship with Richard Wagner. He shows that the music had an almost erotic meaning for Nietzsche — and that he was not so “out of date” in this regard, but a typical child of his time.