It is well known that Nietzsche had a hard time with women. His sexual orientation and activity are still riddled with mystery and speculation today. Time and again, this question inspired artists of both genders to create provocatively mocking representations. Can he possibly be described as an “incel”? As an involuntary bachelor, in the spirit of today's debate about the misogynistic “incel movement”? Christian Saehrendt explores this question and tries to shed light on Nietzsche's complicated relationship with the “second sex.”

A year ago, our author Paul Stephan conducted a small “dialogue” on the 124th anniversary of Nietzsche's death with ChatGPT to see to what extent the much-hyped program is suitable for discussing complex philosophical questions (link). Paul Stephan now fed it, for the 125th, with some of the same, partly changed questions. Has it improved? Judge for yourself.

What follows, is a very abbreviated excerpt of the conversation. The full commented “dialogue” can be found here [link].

The article image was created by ChatGPT itself when asked to generate a picture of this chat. The other pictures were created again by the software DeepAI based on the prompt: “A picture of Friedrich Nietzsche with a quote by him.”

Read also our author's philosophical commentary on this “talk” (Link).

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Note: A lot of the weirdness of this encounter is lost in the subsequent automated translation. Thus, it's also a part of this experiment on the “philosophical capabilities” of AI. Check the original if you want to get everything.

Werner Herzog (born 1942), described as a “mythomaniac” by Linus Wörffel, and Klaus Kinski (1926—1991) are among the leading figures of post-war German cinema. In the 70s and 80s, the filmmaker and the actor shot five feature films that are among the classics of the medium's history. They are hymns to tragic heroism, in which the spirit of Nietzsche can easily be recognized. From “Build Your Cities on Vesuvius! “will “Build opera houses in the rainforest! ”.

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Taylor Swift is one of the most important “idols” of our time. Reason enough for our regular authors Henry Holland, Paul Stephan and Estella Walter to pick up on the Nietzschean “hammer” and get to grips with the hype a bit: Does Swift deserve the cult around her that goes down to philosophy? Is it grossly overrated? And what explains the discrepancy between appearance and reality, spectacle and life?

You can watch the entire unabridged conversation on the Halcyonic Association for Radical Philosophy YouTube channel (link).

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“Techno” — the show of the same name at the Swiss National Museum in Zurich, with traveling exhibitions by the Goethe-Institut and publications in German-speaking countries is currently honoring a once-subcultural movement that became a mass phenomenon in the 1990s with the Berlin Love Parade and continues to live on in Zurich's Street Parade today. Did techno offer (or offer) the Dionysian cultural experience that Nietzsche celebrated in his writings? Would Nietzsche have been a raver?

In this two-part essay, Paul Stephan examines how Nietzsche uses the wanderer as a personification of modern nihilism. After he is in the first part (link) focused on the general cultural significance of movement metaphors and the metaphor of wandering in Nietzsche's important brother in spirit, the Danish philosopher Søren Kierkegaard, it will now primarily be about Nietzsche himself.

Perhaps it is Nietzsche's main philosophical achievement that he described thinking as a process that happens in person. For him, reflection is a cooperative tension of body and mind. The mind is grounded in the nervous cosmopolitanism of the body. Nietzsche's conversion of Christianity: The flesh becomes word. This shows thinking in gestures. The following is intended to provide a sketch which indicates the main types of these reflexive gestures. This is intended to illustrate what it means when Nietzsche repeatedly describes himself as a wanderer. An intellectual tour that leads from standing and sitting as basic modes of traditional philosophy to walking, (out) wandering and halcyonic flying as Nietzsche's alternative modes of liberated thought and life.

The humanities scene recently experienced a minor sensation: In the estate of Michel Foucault (1926—1984), one of the most important representatives of post-structuralism, its editors came across an elaborate book manuscript with the title Le discours philosophique, on which the avowed Nietzschean had worked in 1966. It was published in German by Suhrkamp in 2024. Nietzsche plays a decisive role in this comprehensive analysis of philosophical discourse since Descartes. Paul Stephan takes this event as an opportunity to take a closer look at the most influential Nietzsche interpretation of the 20th century to date.

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After explaining in the first part of this article (link) how Nietzsche transformed from an admirer of Schopenhauer to a critic in the course of the 1870s, Tom Bildstein now examines in more detail how the mature Nietzsche sought to overcome Schopenhauer‘s pessimism and counter it with a “life-affirming” philosophy. Schopenhauer‘s “will to life,” which the misanthrope would like to see ascetically denied, is to give way to the “will to power” as the fundamental principle of all life, which cannot be denied without contradiction.

In our last article before the break at the turn of the year, Paul Stephan explores a Close reading A remarkable aphorism of Nietzsche, in which he expresses himself with the famous Christmas blessing “Glory be to God in height and peace on earth and to people! “discusses. As when unwrapping a gift that has been covered several times, he tries to reveal the different layers of meaning in this text in order to make Nietzsche's exact positioning clearly stand out. The reader may decide for himself whether you end up holding a glowing truth in your hand or the box remains empty. In any case, we wish all our readers with Nietzsche: “Peace on earth and good pleasure for each other! ”

It is well known that Nietzsche's history of influence has been read and absorbed across all political camps. But what about our present tense? Paul Stephan examines the writings of two authors who are about the same age as himself, in their mid/late 30s, and whose perspectives on Nietzsche could hardly be more different: While French journalist and YouTuber Julien Rochedy declares Nietzsche a pioneer of a right-wing cultural struggle, the German philosopher and political scientist Karsten Schubert attacks him for a left-wing identity politics. Both positions do not really convince our authors; rather, they are entirely within the framework of the prevailing simulation of politics as a cultural struggle, which would need to be countered by focusing on the really pressing life problems of contemporary humanity.

After two previous contributions to Nietzsche in the Anglosphere For this blog, Henry Holland interviewed American thinker Daniel Tutt about his perspective on Nietzsche as the most important antagonist of the left. The discussion included Huey Newton, leader of the Black Panthers in the 1970s, and what his “parasitic” way of reading Nietzsche prompted him to read. An unedited and unabridged version of this interview, in original English, can be heard and watched on Tutt's YouTube channel (link).

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From October 7 to 11, 2024, the event organized by the Klassik Stiftung Weimar took place in Weimar Nietzsche's futures. Global Conference on the Futures of Nietzsche instead of. Our regular author Paul Stephan was on site on the first day and gives an insight into the current state of academic discussions about Nietzsche. His question: What is the future of Nietzsche academic research when viewed from the perspective of Nietzsche's own radical understanding of the future?

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After Natalie Schulte reported on the echo of Nietzsche's “superman” idea in the start-up scene last week (Link), Swiss art scholar Jörg Scheller is dedicating this week to her continued existence in extropianism, a subtype of transhumanism that aims to artificially accelerate human evolution on both individual and genre levels using modern technology. The physical law of “entropy,” according to which there is a tendency in closed systems to equalize all energy differences until a state of equilibrium has been established — a state of complete cooling in terms of the universe — is opposed by the proponents of this flow with the principle of “extropy,” the increasing vitality of a system.

Nietzsche did not just influence popular culture. He himself was part of a contemporary popular culture and was significantly influenced by it. As a spa tourist, he chased after the trendy health resorts, studied popular magazines and non-fiction books as a popular reader, ate his way through various (self-prescribed) diets as a diet freak and used modern technologies from telegrams to Malling-Hansen's writing ball. In the following article, Swiss Nietzsche researcher Tobias Brücker summarizes some influences from contemporary dietetics in order to exemplify how Nietzsche's life and thinking were shaped by popular cultural factors.

To commemorate the 124th anniversary of Nietzsche’s death, Paul Stephan conversed with a rather particular kind of Nietzsche expert—the now near ubiquitous ChatGPT. Their discussion circled around questions of why Nietzsche matters today and his concept of authenticity. During the course of the conversation, Stephan switched from asking to fielding questions, and elaborated briefly on how his own doctoral dissertation also focuses on authenticity. As Stephan’s experiment aimed at probing deep into the program’s capabilities, and because brevity is not ChatGPT’s strongest asset, we present here an abridged version of the conversation. Readers of German who wish to delve deeper can view the unabridged and annotated PDF that’s available as a download (link). Watch out for Stephan’s critical reflections on this truly remarkable dialogue within the next few days (link).

The pictures accompanying the interview were created with DeepAI software, which was asked to produce “A picture of Friedrich Nietzsche with a quote by him.”

The late Nietzsche repeatedly imagines himself as a descendant of Polish nobles. It is not just a personal whim, but also says something about Nietzsche's philosophical positioning: For him, Poland is a kind of “anti-nation,” a people of “big individuals” — and last but not least, the Polish noble republic is the political utopia of a radical democratic community, which, precisely in its failure, corresponds to his idea of “aristocratic radicalism.” Paul Stephan goes in this Long Read explores the deeper meaning of this topic in Nietzsche and questions his transfiguration of the old Rzeczpospolita: From a political point of view, this is not as desirable a model as Nietzsche suggests. Jean-Jacques Rousseau continues to lead in this regard Considerations on the Government of Poland from 1772.

In her contribution to the series “What does Nietzsche mean to me? “Our main author Natalie Schulte explores the question of whether the thinker can be described as a “philosopher for adolescents” and reports on her own relationship with him.

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Nietzsche has repeatedly become the subject of political interpretive projects, from left and right. Nietzsche and Marx was seen time and again as a double team of a concept of comprehensive emancipation beyond the well-trodden paths of dominant left-wing political trends. In his book How to Philosophize with a Hammer and Sickle. Nietzsche and Marx for the Twenty-First Century and in countless YouTube videos, Jonas Čeika updates this perspective for our time. For Nietzsche PopArts, Henry Holland addressed the question of what to think of this approach.

In his recently published study Theory of Liberation [Theorie der Befreiung]Frankfurt philosopher Christoph Menke describes liberation as “fascination,” as pleasurable desubjectization and dedication. He refers decisively to Nietzsche — but for him, “fascination” means bewitching, entanglement in lack of freedom and resentment. Can the mystical power of fascination really set us free — or is it not rather Nietzsche's right and liberation means above all self-empowerment and autonomy, whereas the fascinated sacrifice means submission, not least to a fascist leader?

As a Marxist, Nietzsche was an early nuisance. But with the Nietzsche Renaissance in the eighties, I couldn't get past him anymore. That's when I discovered Nietzsche as an innovative thinker. - Part II of the series “What does Nietzsche mean to me? “, in which our regular authors introduce themselves.